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Technology of interpretation and expressive pulses
pp. 407-420
Abstract
Musical performance is considered from the points of view of interpretation and nuance, the former requiring mainly analytical, the latter technical skills. Interpretation is understood as finding a structure in a musical text by its segmentation and determining the relation between Gestalt segments. Nuancing is understood as a means of showing the segments by intonation patterns. A system of rules has been developed which aim to do segmentation and the First Movement of Vivaldi's Violin Concerto in G major (Op.3 No.3) is taken as an example of how to use the analysis-based method for the interpretation. The interpretation has been realized both by a computer and by a violin pupil appropriately instructed.
Publication details
Published in:
Leman Marc (1997) Music, Gestalt, and computing: studies in cognitive and systematic musicology. Dordrecht, Springer.
Pages: 407-420
DOI: 10.1007/BFb0034129
Full citation:
Tanguiane Andranick (1997) „Technology of interpretation and expressive pulses“, In: M. Leman (ed.), Music, Gestalt, and computing, Dordrecht, Springer, 407–420.