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Contemporary popular music studies

proceedings of the international association for the study of popular music 2017

edited byIvana MediMarija Dumnić VilotijevićIvana Medić

Abstract

This is the second volume in the series that documents the 19th edition of the biennial conference of the International Association for the Study of Popular Music. The volume contains contributions on the variety of musical genres from all over the world. Authors engage with the role of popular music in contemporary music education, as well as definitions and conceptualizations of the notion of ‘popular’ in different contexts. Other issues discussed in this volume include methodologies, the structure and interpretations of popular music scenes, genres and repertoires, approaches to education in this area, popular music studies outside the Anglophone world, as well as examinations of discursive and technological aspects of numerous popular music phenomena.ContentHistory and theory of popular musicEducation and popular musicPunkElectronic dance musicPopular music videoPopular music festivalsNew issues and approachesTarget GroupsScholars and Students in Popular Music Studies and Related DisciplinesMusicians, Music Industry Representatives, Cultural EntrepreneursEditorsMarija Dumnić Vilotijević is a research associate at the Institute of Musicology of the Serbian Academy of Sciences and Arts. Her research focus is on urban folk music and related genres, as well as sound archiving.Ivana Medić is a research associate at the Institute of Musicology of the Serbian Academy of Sciences and Arts. Her research focus is on alternative rock and contemporary avant-garde art music. 

Details | Table of Contents

Urban folk music and cultural influences

labels for narodna muzika (folk music) in serbia in the twentieth century

Marija Dumnić Vilotijević

pp.39-50

https://doi.org/10.1007/978-3-658-25253-3_4
Studying listening to recorded popular music

a methodological overview and some suggestions for future research

Marta García Quiñones

pp.91-100

https://doi.org/10.1007/978-3-658-25253-3_9
Pathways of pop

arts and education policy, studieförbund and genre hierarchies

Daniel Fredriksson

pp.101-108

https://doi.org/10.1007/978-3-658-25253-3_10
Heart of glass

gender and domination in the early days of punk in portugal

Paula Guerra

pp.127-136

https://doi.org/10.1007/978-3-658-25253-3_12
On analyzing edm dj sets

problems and perspectives for a sociology of sound

José Gálvez

pp.149-159

https://doi.org/10.1007/978-3-658-25253-3_14
"Sing to the lord a new song"

the interaction of religion and popular music in the case of posaunenchor in the protestant Church in Germany

Ryoto Akiyama

pp.193-201

https://doi.org/10.1007/978-3-658-25253-3_18
Musical formation of popular Singers in Brazil

a case study with Singers who sing in pairs música sertaneja – Brazilian country music

Jaqueline Soares MarquesJusamara Souza

pp.203-212

https://doi.org/10.1007/978-3-658-25253-3_19
Just for the fun of it?

contemporary strategies for making, distributing and gifting music

Chris Anderton

pp.269-277

https://doi.org/10.1007/978-3-658-25253-3_25

Publication details

Publisher: Springer

Place: Dordrecht

Year: 2019

Pages: 299

Series: Systematische Musikwissenschaft

DOI: 10.1007/978-3-658-25253-3

ISBN (hardback): 978-3-658-25252-6

ISBN (digital): 978-3-658-25253-3

Full citation:

Medi Ivana, Dumnić Vilotijević Marija, Medić Ivana (2019) Contemporary popular music studies: proceedings of the international association for the study of popular music 2017. Dordrecht, Springer.